ARCHIVAL RESEARCH PROCESS
The Northwestern University Collection “Pat Patrick Collection of Sun Ra Materials, 1957-1979,” contains the ephemera, sermons and writings of the influential jazz musician Sun Ra. Patrick was a musician in his own right and a long standing member of Sun Ra’s orchestra as well as being influenced and involved in Sun Ra’s spiritual beliefs and outlook on life.
ARCHIVE
MIXED MEDIA
LAURDINE KENNETH “PAT PATRICK” JR
This song is called...A Jazzy Bronzeville Night ft. Pat Patrick
Install process , Fall 2024
INSTALLATION


BRONZEVILLE
Custom map to reflect Pat Patrick's family home in relation to music locations he visited and what these spaces have evolved to be at present day
*not all represented
N
S
ACCOMPANYING IMAGES
DRAWING

INSTALL SPECS









The Wonder Inn
7519 S. Cottage Grove
The Rosebowl Ballroom
4724 S. Cottage Grove
The Rosebowl Ballroom
4724 S. Cottage Grove
The Rosebowl Ballroom
4724 S. Cottage Grove
Empty Lot
4724 S. Cottage Grove
Casino Moderne Ballroom
913 E 63rd street
Walmart
4724 S. Cottage Grove
Budland
6402 S. Cottage Grove
6412 Cottage Grove
Grand Terrace formerly Sunset Cafe
315 E. 35th St.
Designated a Chicago Landmark: September 9, 1998
Living Hope Church
6402 S. Cottage Grove
6412 Cottage Grove
Wilson Junior College now Kennedy-King College
6301 S Halsted St, Chicago, IL 60621
BACK
ARTIST STATEMENT
GUIDING QUESTIONS
Jazz as a form of Black expression historically set its roots in Chicago’s culturally rich Bronzeville district.
By creating the artwork from the perspective of Laurdine Kenneth "Pat" Patrick Jr., this work aims to map Bronzeville spaces that serve as pillars in what propelled Chicago Jazz both architecturally and culturally. This artwork engages the ‘Pat Patrick Collection of Sun Ra Materials’ at Northwestern University and several online archival sources.
What is a monument?
Who and what is traditionally selected to be monumentalized?
How can relationships and spaces be remembered and not lost to development?

During the peak of the "Great Migration," the population of the area increased dramatically when thousands of African-Americans fled the oppression of the south and emigrated to Chicago in search of industrial jobs.
First known as the “Black Belt.” Later called “Black Metropolis,” or “Bronzeville,” the area became a parallel and vibrant city unto itself, now famous for its rich cultural heritage. The name, "Black Metropolis," became firmly established with the publication of a 1945 sociological study of the same title. In later years the area was referred to as "Bronzeville," a term attributed to an editor at the Chicago Bee.
PARALLEL PROJECTION